263 Results: New & Used in Audio in Bulimba 4171, QLD

After any restoration / repair comes the listening test, and it’s at that point we every now and then come across a unit we’d really love to keep for ourselves rather than pass on for a new owner to enjoy… this 1989 Luxman LV113 is just such a product, a triumph in amplifier design. We let go of it reluctantly! The LV113 effortlessly delivers 70 watts per channel into 8Ω (more into 4Ω), and even at full rated power produces less than 0.03% total harmonic distortion and <0.008% IMD. On its l

Note that this model can also be remote controlled IF you hook up an appropriate matching model Technics model tuner / tape deck etc. Based in Brisbane and shipping Australia-wide Reclaimed Audio and Electronics specialises in vintage electronics. All of our products have been professionally restored, and are covered with a minimum six month warranty. We also stock a complimentary range of new electronic products. We ship Australia Wide, and keep freight costs reasonable. Payment accepted via

A no frills reliable little performer from the Inkel/Sherwood team back in the late eighties. The AD220B delivers 30 watts per channel. It has a phono input for a turntable, plus four line level (aux) devices (including two tape loops). The expected bass, treble and balance controls are present, as is a loudness compensation switch. An LED based power meter calibrated up to 40 watts per channel displays the output signal. • Power output: 30 watts per channel into 8Ω (stereo) • Frequency resp

Traditional in every sense, from the brushed aluminium front panel and timber sides, through the “piano key” actuators below the illuminated cassette compartment, and the big illuminated VU meters – a beautifully designed product with a very solid feel. Utilising “ferrite and ferrite” head technology the mechanism is full auto stop on every function and is fitted with mechanical pause. The unit has switch settings for Normal tapes, Chrome Dioxide tapes, and the short-lived type III ferrochrome

One of the last “old school” front load decks from Technics with traditional piano key actuation – but don’t let that fool you, it still has full auto stop, and cue / review functionality. It is though built like a Sherman tank! The unit uses high quality heads and is fitted vacuum fluorescent peak level maters. It has Dolby noise reduction, and can cope with Normal, Cr02 and the short lived Fe-Cr tape types. A mechanical tape counter is fitted. The unit can record from both line level and mi

A capable unit from the Kenwood team, whether you want to use it as a surround receiver, or keep it switched into stereo mode… it has power to spare either way, offering 100 watts per channel. It is 6 channels as opposed to 5.1 channels, it includes a subwoofer amplifier, so the subwoofer out will drive a passive subwoofer directly. In surround modes the unit will decode Dolby Digital, DTS, Dolby ProLogic etc. In addition to the inbuilt AM/FM Stereo tuner the unit has six line level (aux) inp

Female version $38.50 Male version $49.50 Shipping Australia wide $7.95 If you’ve lost the headshell to a straight arm turntable you’ll know that the standard bayonet type that fits turntables using “S” shaped etc. arms don’t fit. These universal style ones will fit in many applications, and will accept virtually any ½” mount cartridge. There are two basic type found, a male version (where exposed pins at the back of the headshell fit sockets on the tone arm, and a female version where the

This is the rack mount version with handles and “ears” to suit 19” rack. Every inch a USA designed Marantz, with the big flywheel weighted thumbwheel tuning knob – “Gyro Touch Tuning”, and a huge brushed aluminium front panel with two windows. The first window has a large calibrated dial with a lighted magnifying pointer, and the smaller window houses two meters, one to show signal strength, the other to assist in centering FM tuning. FM Muting is defeated when switched to mono mode. LEDs are

Beautifully made in a rugged steel enclosure the A75 RF Attenuator from Canada’s Lindsay Electronics is fitted with an F connector on each end (covered by protective caps) and has 8 separate switches to switch in extremely accurate levels of attenuation. Input and Output impedance is 75Ω. The switches (which can be brought into play individually, or summed) provide different attenuation levels: • 0.5dB • 1dB • 2dB • 3dB • 6dB • 10dB • 20dB • 20dB The unit measures 265mm x 50mm x 30mm Units i

A late model player from Yamaha with the excellent performance you’d expect and compatibility with both commercial CDs and burnt CD-RW discs. A 5 disc carousel style unit that has “disc xchange”, allowing discs to be changed whilst one is still playing. All of the features that had become common in such machines by that era are present like random play, multiple repeat modes, synchro start etc. The unit has both analogue RCA outputs, and an optical digital output. All functions are displayed o

A compact entry level turntable from Audio Technica that has an inbuilt switchable preamplifier, so you can connect it to a traditional phono input, or an auxiliary input on an amplifier that has no phono input. Additionally, it has an inbuilt AtoD converter with a USB output, so you can connect it directly to a computer to digitize your vinyl collection. (You’ll need to download a program like Audacity.) It’s also fully automatic in operation, with start of play (for 7” or 12” records) happe

We can supply brand new high quality replacement styli to suit models produced by Sony and other brands they swallowed along the way like Aiwa (as well as others of course). And, we’ll ship Australia wide for just $7.95. Prices start as low as $23.95 for some models, and vary depending on stylus, but are always competitive. See images for just a few examples. If your stylus isn’t pictured just get in touch and we’ll do our best to figure it out for you. Based in Brisbane and shipping Australi

View or purchase online, or at the Reclaimed Audio space at Camp Hill Antique Centre, 545 Old Cleveland Road. This 1980 Sanyo model was available in both black and silver finishes, this one, obviously enough, is the black version that contrasts very nicely with the aluminium trim. At first glance they’re a pretty conservative design, but under the skin they’re an impressive machine, fitted with better quality amplifier stages than were usually found at this end of the market, a very rugged me

Based in Brisbane and shipping Australia-wide Reclaimed Audio and Electronics specialises in vintage electronics. All of our products have been professionally restored, and are covered with a minimum six month warranty. We also stock a complimentary range of new electronic products. We ship Australia Wide, and keep freight costs reasonable. Payment accepted via direct deposit, secure credit card, or Afterpay. Pickup from Brisbane or Ipswich can also be arranged. What a fabulous thing. Designed

Before their restoration journey begun these sounded just awful… but blown tweeters and crossover capacitors that were now 400% (!) out of tolerance (thereby overdriving drivers with incorrect frequencies) will do that… a lesson in life for any tempted to think equipment over half a century old will perform as it was designed to with no intervention! Once serviced (and, in some cases upgraded, using poly caps, and replacing the old 6.35mm socket input with binding post / banana plug terminals)

Peavey’s brilliant AUTOMIX is an 8 channel mono mixer with a host of Automatic mixing functions. Each input can accept microphone level or line level (both balanced). In very basic terms the unit is able to prioritise signals from different inputs whilst maintaining the same overall gain from the mix of all signals. It can be used in conference or debate situations for instance allowing a moderator or chairperson to speak over the top of other channels when necessary. Channels can be set up to

A very nice unit indeed from Japan’s General Corporation (now part of Fujitsu) back in 1977. Fun facts, the model also later appeared as a Toshiba (RT-8240) with different aesthetics, and the cassette mechanism used is from yet another respected Japanese manufacturer that was rebadged as a lot of world brands, Bigston. The GS-300 still sports some of the military styling influences that were prevalent in the decade. The 3 band radio is a great performer, receiving medium wave (broadcast band)

Available in our online store, in the Reclaimed Audio space at Camp Hill Antique Centre Brisbane, in the Reclaimed Audio space at Empire Revival Paddington Brisbane, or for pickup at Bulimba or Ipswich. Brand new Maxell UR 90 minute blank cassettes that are perfect for all sorts of recording in all sorts of decks. (120µS EQ – “Normal” tape position.) Based in Brisbane and shipping Australia-wide Reclaimed Audio and Electronics specialises in vintage electronics. All of our products have been

Akai just made just beautiful gear in the mid 70s, and this AA5210 emphasises the fact… conservatively rated at 18 watts per channel into 4Ω but weighing in at a very solid 7.2kg is the first clue that it’s a no-compromise design. A closer look reveals a beautiful brushed aluminium front panel, solid machined aluminium knobs with rubber inlays, and under the cover first rate components and beautiful construction. It sounds every bit as good as it looks and feels. Of course because available pow

Note: This powered Subwoofer has a line level input only. You will need to connect it to the “subwoofer out” outlet if your amplifier has one, or some other line level output that “follows” your volume control setting. If you have neither of those options ask us to provide you with a passive “speaker level to line level” adaptor. Based around Yamaha’s “Active Servo Technology” the YST-SW015 is a fabulous way to unobtrusively add some low down grunt to a system without taking up a lot of space.

As dual cassette decks go Kenwood’s 1996 KX-W1060 is a pretty basic affair, but it IS a Kenwood, and following a full service it performs faultlessly and can be expected to do so for many years to come. Both decks have traditional lever push controls, and are full autostop. The right hand deck can both play and record, whereas the left hand deck is play only. A rudimentary LED level meter is fitted, as is Dolby B noise reduction, and a setting for both normal and Cr02 tapes. A user manual co

Ticks all the boxes as one of the most impressive centre speakers of this size we’ve had across the bench. A capable (but heavy) unit based around 2 x 4” long throw woofers and a doped soft dome tweeter with ferrofluid cooling. The enclosure is fitted with rear firing bass reflex ports, and is finished in black ash woodgrain. Can be operated with grille on or off. Speaker lead will be provided. • Frequency Response: 70Hz - 20kHz • Sensitivity: 90dB @ 1w/1m • Nominal Impedance: 8 Ohms • Power

$7.95 shipping Australia Wide on this product. In all the decades that cassette recorders and Hi-Fi cassette decks have been available we’ve never seen a user manual that didn’t cover the fact that in such devices the heads and tape path must be regularly cleaned of the oxide build-up that is inevitable from use. Unfortunately the vast majority of owners seem to ignore those instructions entirely, and just keep playing tape after tape, with the high frequency response eventually degrading to t

Nothing detracts from the looks of a turntable or record player more than a scratched, smashed, crack or missing dust cover. And of course every model seems to use a different size, so an “off the shelf” solution can be very difficult to find. We’ve been able to source custom made 3mm acrylic covers at a price that represents excellent value. They can be made in any size you want up to 750mm wide, 500mm deep, and 200mm high, and you can choose from clear, bronze tinted, light grey tinted, or d