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Sabine FBX Solo Feedback Destroyer SL820
$50
Sabine FBX Solo Feed back eliminator. In Box, great unit. Here is the info
Let’s make this loud and clear: You want more gain? Increased clarity? Automatic feedback control? Want to save some money? Sabine has the answer: The FBX-SOLO Feedback Eliminator, a miniature version of the award-winning FBX-1020P Feedback Exterminator. One SOLO controls feedback on one microphone or instrument — you decide which inputs get precision, automatic feedback control and maximum gain, from one channel to all your channels. Features of the SOLOs include increased headroom, a programmable noise gate, & switchable input/output levels for more versatility.
The FBX-SOLO SL820 provides 1/4″ I/O for use with acoustic-electric guitars, which tend to be prone to feedback at high stage levels. The SL820 lets you get the most out of your sound while performing at hotter levels.
The FBX-SOLO targets feedback without taking a big chunk out of your sound. Digital FBX filters are 10 times narrower than graphic EQ filters. You get back over 90% of the power you lose with a graphic EQ.
Like all the FBX Feedback Exterminators, the FBX-SOLO does what no other audio product can do: it automatically detects and eliminates feedback while leaving the sound crystal clear. The patented algorithm distinguishes music from feedback so it works even during the program, not just at setup time.
If you use your 31-band EQ just to shape your sound and let your FBX control feedback, you should expect up to 9 dB more gain and a dramatic improvement in the sound quality. Why? When you pull down a graphic EQ slider to chase feedback, you also pull out a big chunk of your sound. FBX constant-Q filters are 10 times narrower than graphic EQ filters. Narrow filters mean more gain and more clarity. It’s that simple.
Let’s make this loud and clear: You want more gain? Increased clarity? Automatic feedback control? Want to save some money? Sabine has the answer: The FBX-SOLO Feedback Eliminator, a miniature version of the award-winning FBX-1020P Feedback Exterminator. One SOLO controls feedback on one microphone or instrument — you decide which inputs get precision, automatic feedback control and maximum gain, from one channel to all your channels. Features of the SOLOs include increased headroom, a programmable noise gate, & switchable input/output levels for more versatility.
The FBX-SOLO SL820 provides 1/4″ I/O for use with acoustic-electric guitars, which tend to be prone to feedback at high stage levels. The SL820 lets you get the most out of your sound while performing at hotter levels.
The FBX-SOLO targets feedback without taking a big chunk out of your sound. Digital FBX filters are 10 times narrower than graphic EQ filters. You get back over 90% of the power you lose with a graphic EQ.
Like all the FBX Feedback Exterminators, the FBX-SOLO does what no other audio product can do: it automatically detects and eliminates feedback while leaving the sound crystal clear. The patented algorithm distinguishes music from feedback so it works even during the program, not just at setup time.
If you use your 31-band EQ just to shape your sound and let your FBX control feedback, you should expect up to 9 dB more gain and a dramatic improvement in the sound quality. Why? When you pull down a graphic EQ slider to chase feedback, you also pull out a big chunk of your sound. FBX constant-Q filters are 10 times narrower than graphic EQ filters. Narrow filters mean more gain and more clarity. It’s that simple.
- Date Listed:24/01/2023
- Last Edited:14/10/2023
- Condition:Used
- Shipping:Pickup Only
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