4 Results: New & Used in Art in Balwyn 3103, VIC

For sale: Commercial grade stretched canvas ready to paint and drawing board. 2 metre x 1.8 metre canvas stapled to 2 metre x 2 metre 3 ply reinforced board. Yours for a reasonable price. Cash only please. You will need a van or Ute. Did you know you can hire a Ute from Bunnings for abt $28 per hour? Large drawing board - 120cm wide x 240 cm high, 3 ply… you can see a portion of it behind the canvas on board in first 2 photos. Great condition, hardly used. Free to a good home!

Recycled stretcher frames - nearly all gone! Only 12 x 10” x10” thick frames left. Then there are some good quality stretcher bars in pairs. See pics. Buy a couple or buy the lot. Cash only please.

Artist canvases of various sizes for sale. Pics 1 and 2 show front and back. Dimensions: 175cm (H) x 81 cm (W) x 7cm. Pic 3 -Very good stretcher frame never used, ready for canvas. Dimensions: 175cm x 77cm x 2cm. Pic 4 - shows 5 canvases. Dimensions:122cm x30cm x 3.4cm. 3 are still in wrapping, one opened and unused, 1 painted mustard base colour. Pics 5 and 6 show assorted preloved stretcher frames…and there’s more, different sizes. They mustn’t end up in the tip so they are going cheap.

Copperplate engraving of Simon Lord Lovat by T Clerk after William Hogarth - published London circa 1810 framed to conservation standard. Portrait of Simon Fraser, eleventh Lord Lovat, Jacobite conspirator, sat at a desk on which rest his 'Memoirs'. Simon Fraser, 11th Lord Lovat (c. 1667 – 9 April 1747, London), nicknamed 'the Fox', was a Scottish Jacobite and Chief of Clan Fraser of Lovat, known for his feuding and changes of allegiance. In 1715, he had been a supporter of the House of H

Vintage amorial colour reproduction lithograph titled "Wappen des Churfürstens und HerzogszuBayrn" which translates as "Coat of Arms of the Elector and Duke ofBavaria". It is mounted, framed and glazed. Used on the flags of this period, the coat of arms of the joint holding of Duke of Bavaria and Elector Palatine (commonly known as the Elector of Bavaria, as the titles were so closely linked) shows the historical arms of Bavaria and those of the Palatinate, plus an inescutcheon with a golden o

Vintage amorial colour reproduction lithograph titled "Fürstlich Nassau-Siegenisches Dillenburgisches Dietzisches and Hadamarisches Wappen" which translates as "Prince Nassau-Siegen Dillenburg Dietz and Hadamar coat of arms". It is mounted, framed and glazed. Nassau-Siegen was a principality within the Holy Roman Empire that existed between 1303 and 1328, and again from 1606 to 1743. From 1626 to 1734, it was subdivided into Catholic and Protestant parts. Its capital was the city of Siegen, fo

Vintage amorial colour reproduction lithograph titled "Wappen des Churfürsten zu Mayntz" which translates as "Coat of arms of the Elector of Mainz". It is mounted, framed and glazed. Mainz became a bishopric in 550 and an archbishopric around 800. The archbishops of Mainz also played a major role in the appointment of the new emperor. The bishops owned large possessions in the present states of Rheinland-Pfalz, Hessen and Bayern. The city was also the capital of the State of Mainz, which exist

Vintage amorial colour reproduction lithograph titled "Fürst Hohenzollerisches wappen" which translates as "Coat of arms of Prince Hohenzollern". It is mounted, framed and glazed. The House of Hohenzollern is a noble family and royal dynasty of Prince-electors, kings, and emperors of Prussia, Germany, and Romania. It originated in the area around the town of Hechingen in Swabia during the eleventh century. They took their name from their ancestral home, the Burg Hohenzollern castle. Social unr

A matching pair of large (118 cm x 95cm x 4 cm) vintage coloured lithographs depicting the "tableau des armoiries et des decorations honorifiques des families royales et nobiliares de la plupart des nations" (table of coats of arms and honorary decorations of the royal and noble families of most nations). Notation bottom right of first lithograph translated from Italian is Ponte Vecchio edition 1, and on the second, Ponte Vecchio edition 2. These are glazed and beautifully framed in timber wit

Born in England about 1853, Robert Bugg arrived in Melbourne in 1857. He studied in Melbourne, becoming a portrait, marine and landscape painter using oil and watercolour. He exhibited with the Victorian Academy of Arts from 1878 and later with the Victorian Artists' Society. In 1882 Bugg moved to Bendigo where he opened a photographic studio. This watercolour is from a private collection mid 1900's (*****1910), and then by descent. The work matches the paper, style, subject and size of other