154 Results: New & Used in Audio in Bulimba 4171, QLD

NAD have been making excellent CD players for almost as long as the format has existed. This 502 is basically an updated version of the earlier 5420 / 5425. In addition to the analogue audio output the unit has a coax digital output. In typical NAD style it has a simple no-nonsense panel layout that’s easy to follow. No remote is included, but all functions are accessible from the front panel. An audio lead will be included. The 502 features the MASH DAC technology that was originally develop

A lovely twin deck with a great feel… Sony’s 1990 TC-W320 is based around two fully logic controlled twin motor mechanisms fitted with their high density heads. The first mech is play only whilst the second is play / record, which of course also allows for tape dubbing and high speed dubbing. “AMS” music searching is also fitted. The unit can cope with Normal, Cr02 and Metal tapes (settings for same all sensed automatically), and is fitted with Dolby B and Dolby C noise reduction. A mechanical

SUBSIDISED INSURED SHIPPING ON THIS COMPLETE SYSTEM $120 AUSTRALIA WIDE, $10 BRISBANE / IPSWICH areas in SEQ. Dating from 1982 these fully restored (with warranty) Hi-Fi components from Japan’s Akai even come with their original owner’s manuals and of course look like the matched system that they are. One owner, one location for the last 4 decades! One of Akai’s premium offerings at the time based around higher quality components than were sometimes found in package deals. There’s a direct dr

Akai just made just beautiful gear in the mid 70s, and this AA5210 emphasises the fact… conservatively rated at 18 watts per channel into 4Ω but weighing in at a very solid 7.2kg is the first clue that it’s a no-compromise design. A closer look reveals a beautiful brushed aluminium front panel, solid machined aluminium knobs with rubber inlays, and under the cover first rate components and beautiful construction. It sounds every bit as good as it looks and feels. Of course because available pow

As dual cassette decks go Kenwood’s 1996 KX-W1060 is a pretty basic affair, but it IS a Kenwood, and following a full service it performs faultlessly and can be expected to do so for many years to come. Both decks have traditional lever push controls, and are full autostop. The right hand deck can both play and record, whereas the left hand deck is play only. A rudimentary LED level meter is fitted, as is Dolby B noise reduction, and a setting for both normal and Cr02 tapes. A user manual co

Note: This powered Subwoofer has a line level input only. You will need to connect it to the “subwoofer out” outlet if your amplifier has one, or some other line level output that “follows” your volume control setting. If you have neither of those options ask us to provide you with a passive “speaker level to line level” adaptor. Based around Yamaha’s “Active Servo Technology” the YST-SW015 is a fabulous way to unobtrusively add some low down grunt to a system without taking up a lot of space.

Note: There is no remote control with this unit (Denon RC-258 if you want to grab one from a marketplace) but all main functions are accessible from front panel. Denon did a great job with this 5 disc carousel style CD player from 1996. Rather than jam it full of functions they concentrated on fantastic audio performance, and succeeded. The unit is endowed with Alpha Processor technology, providing superior sound quality. The unit allows for “hot changing” discs whilst a dis is still playing,

The B105 is one of Technics entry level decks from the era, so kudos to them for making it sound so good – these hold their own against much more expensive units. They use a full auto stop mechanism that’s servo assisted (resulting in soft touch buttons to activate) , and can cope with three tape types, selectable via a switch bank. They have Dolby noise reduction, and, unusually for an entry level deck, have both microphone and line level inputs. Level display is via LED driven meters. All l

We have NOT restored this unit. It has however been tested as fully working. It came to us included in a lot of items, but it had no mate – it’s a single B&W DM100 bookshelf speaker. Not that much use on its own, but of course perfect if you also have a lonely DM100, or if you have a pair of DM100s but need a part. (If you did want us to part something out, woofer, tweeter, crossover, grille etc. to save on freight let us know – we’ll be happy to try and help.)

“Computer Controlled Audio Video Receiver” certainly sounds like an 80s product! In fact lurking behind all of those buttons and lights is actually a really capable 2 x 35W receiver from Akai’s design team, and it has the added bonus of an inbuilt adjustable “effects” circuit that can run additional rear speakers, or create simulated stereo from mono signals. It delivers 35 watts per channel, and has two separately selectable speaker zones in addition to the optional connection of a rear zone

One for the Bose fans (for the non Bose fans we sell restored other brands too, it’s all OK!). That said though, Bose did a pretty fabulous job with the 501, and many agree that this Series IV version (in production for some 10 years was the best) of all 5 series that were produced. The 501s do not require any special equalisation or other Bose products, they will run directly from any brand of system. This one owner pair was manufactured in 1988. The Direct/Reflecting nomenclature refers to t

At first look the Mercury M3 speakers from Britain’s Tannoy look like any number of other two way tower speakers utilising a two way bass reflex ported design, but one listen absolutely shows their heritage, setting them well apart from the rest of the field. It’s not just us that were impressed though, it doesn’t take much research to find that both critics and owners heap praise on these units. They’re based around a 6.5” polypropylene woofer teamed with a 25mm soft dome tweeter. Frequency r

A capable and good looking unit from the Sherwood stable that delivers 20 watts per channel into 8Ω and 25 watts per channel into 4Ω with two independently selectable speaker zones. The inbuilt AM FM stereo tuner works well, and is unusual in that it employs digital type push button tuning that translates to an analogue display featuring a moving pinpoint LED as a pointer. In addition to manual tuning it will store 5 AM station positions and 5 FM station positions. Volume, bass, treble and ba

(No remote with this unit, but all functions accessible from front panel.) The same engineering as found in Sony’s full width units, but in the more compact 360mm wide “midi” size format the CDP-M11 is an offering from 1994 that punches way above its weight, offering superb audio performance and a pleasing front panel layout that even includes direct entry track buttons. Display is via a single colour VFD, and significant programming features have been included in the design including shuffle

NAD’s 1986 model 6240 Cassette Deck follows that “minimalist” design cues of all NAD gear of the era, but don’t let that fool you, it’s a capable machine that does exactly as it’s supposed to, and with exceptional audio clarity thanks to its wide dynamic range. The mechanism is servo assisted, with full auto stop and a positive feel from the big actuation buttons. A mechanical tape counter is fitted, as are peak reading LED meters. Record levels are adjustable via concentric knobs, and Tandber

Restored with Warranty. $64.95 insured shipping Australia wide, or less for postcodes close to Brisbane. As a new century loomed the once mighty Radio Shack / Tandy empire was finding it harder and harder to achieve the sales dominance they once held due to a range of factors and increasing competition in a changing world. They still offered in house products that provided a lot of performance for the price but were now working harder than ever for sales. This is just about the last of the “tr

After any restoration / repair comes the listening test, and it’s at that point we every now and then come across a unit we’d really love to keep for ourselves rather than pass on for a new owner to enjoy… this 1989 Luxman LV113 is just such a product, a triumph in amplifier design. We let go of it reluctantly! The LV113 effortlessly delivers 70 watts per channel into 8Ω (more into 4Ω), and even at full rated power produces less than 0.03% total harmonic distortion and <0.008% IMD. On its l

Note that this model can also be remote controlled IF you hook up an appropriate matching model Technics model tuner / tape deck etc. Based in Brisbane and shipping Australia-wide Reclaimed Audio and Electronics specialises in vintage electronics. All of our products have been professionally restored, and are covered with a minimum six month warranty. We also stock a complimentary range of new electronic products. We ship Australia Wide, and keep freight costs reasonable. Payment accepted via

A no frills reliable little performer from the Inkel/Sherwood team back in the late eighties. The AD220B delivers 30 watts per channel. It has a phono input for a turntable, plus four line level (aux) devices (including two tape loops). The expected bass, treble and balance controls are present, as is a loudness compensation switch. An LED based power meter calibrated up to 40 watts per channel displays the output signal. • Power output: 30 watts per channel into 8Ω (stereo) • Frequency resp

One of the last “old school” front load decks from Technics with traditional piano key actuation – but don’t let that fool you, it still has full auto stop, and cue / review functionality. It is though built like a Sherman tank! The unit uses high quality heads and is fitted vacuum fluorescent peak level maters. It has Dolby noise reduction, and can cope with Normal, Cr02 and the short lived Fe-Cr tape types. A mechanical tape counter is fitted. The unit can record from both line level and mi

A capable unit from the Kenwood team, whether you want to use it as a surround receiver, or keep it switched into stereo mode… it has power to spare either way, offering 100 watts per channel. It is 6 channels as opposed to 5.1 channels, it includes a subwoofer amplifier, so the subwoofer out will drive a passive subwoofer directly. In surround modes the unit will decode Dolby Digital, DTS, Dolby ProLogic etc. In addition to the inbuilt AM/FM Stereo tuner the unit has six line level (aux) inp

This is the rack mount version with handles and “ears” to suit 19” rack. Every inch a USA designed Marantz, with the big flywheel weighted thumbwheel tuning knob – “Gyro Touch Tuning”, and a huge brushed aluminium front panel with two windows. The first window has a large calibrated dial with a lighted magnifying pointer, and the smaller window houses two meters, one to show signal strength, the other to assist in centering FM tuning. FM Muting is defeated when switched to mono mode. LEDs are

Beautifully made in a rugged steel enclosure the A75 RF Attenuator from Canada’s Lindsay Electronics is fitted with an F connector on each end (covered by protective caps) and has 8 separate switches to switch in extremely accurate levels of attenuation. Input and Output impedance is 75Ω. The switches (which can be brought into play individually, or summed) provide different attenuation levels: • 0.5dB • 1dB • 2dB • 3dB • 6dB • 10dB • 20dB • 20dB The unit measures 265mm x 50mm x 30mm Units i

A late model player from Yamaha with the excellent performance you’d expect and compatibility with both commercial CDs and burnt CD-RW discs. A 5 disc carousel style unit that has “disc xchange”, allowing discs to be changed whilst one is still playing. All of the features that had become common in such machines by that era are present like random play, multiple repeat modes, synchro start etc. The unit has both analogue RCA outputs, and an optical digital output. All functions are displayed o