249 Results: New & Used in Audio in Bulimba 4171, QLD (Page 4 of 11)

It was a lot of work brining this one back from the dead, but what a satisfying result! At the time Japan’s JVC were a major player, and their 1977 designed JR-S100 is a big imposing receiver, with a big sound that belies its 22 watt per channel rating. It can drive two speaker zones, and is capable of handling a 4Ω load. In addition to the high performance and sensitive AM / FM stereo tuner section there’s an input for a turntable, plus two line level (aux) sources. The tuner itself is tuned

TEAC’s 1985 GE-8 is a 6 band stereo graphic equaliser, useful for precise tailoring of a system’s frequency response, or the frequency curve of a signal being sent to a recording device. The frequency bands are centred around 40Hz, 125Hz, 400Hz, 1.25kHz, 2kHz, 4kHz, 12.5kHz, and each is adjusted by high quality (with indents) slide controls with a little over 30mm travel. Each band can be adjusted by /- 10db. The unit has its own “tape loop” circuit inbuilt, so if your amplifier does not have

The SU-300 is a no-frills amplifier from the Technics stable back in 1986. It’s still every inch a Technics though, delivering 30 watts per channel into 8Ω. This particular example has a couple of cosmetic flaws (some marks front panel, non-standard balance knob – see images) so we’ve priced it accordingly. It has phono (turntable) input plus three line level (aux) inputs including the tape in/out loop. It has smooth ALPs slide controls for volume, bass, treble and balance, and a loudness con

We sell DeoIT 142g cans with adjustable valve and original straw for less wastage. DeoxIT® Fader F5 has all of the properties of D5, but is designed for use on very modern potentiometers and faders that have conductive plastic surfaces. Perfect for maintenance use, and an absolute must to keep in your kit if you run sound systems etc. out on the road – F5 makes an excellent “emergency rescue” product for drink spills etc. If you repair, restore, or maintain electronic and electrical devices o

A valuable tool that was once readily available, but sadly getting harder and harder to find these days, particularly in excellent condition like this one. Over time tape recorder heads build up residual magnetism from the tapes they play or other influences. That magnetism reduces the quality of reproduction, and, if particularly bad can damage the tapes you play. Use couldn’t be simpler: · Energise the demagnetiser move it over the face of the head / heads. · If required you could also m

Dating from the era when Japan’s AKAI were absolutely at the top of their game making very well respected reel to reel recorders. This is an original AKAI accessory (still with original carton and instructions) – a “Telephone Pick Up”. In the form of a suction cap it’s designed to attach to a traditional landline telephone and connect to the microphone input of a reel to reel (or, in later years cassette etc.) tape deck to record telephone conversations. The lead is terminated with a 6.35mm (

Ticks all the boxes as one of the most impressive centre speakers of this size we’ve had across the bench. A capable (but heavy) unit based around 2 x 4” long throw woofers and a doped soft dome tweeter with ferrofluid cooling. The enclosure is fitted with rear firing bass reflex ports, and is finished in black ash woodgrain. Can be operated with grille on or off. Speaker lead will be provided. • Frequency Response: 70Hz - 20kHz • Sensitivity: 90dB @ 1w/1m • Nominal Impedance: 8 Ohms • Power

As would be expected of Britain’s Wharfedale these 2 way bookshelf speakers from 2010 exhibit excellent reproduction with no effort. They’re a ported bass reflex 2 way design based around a 5.25” woofer and a 1” ferrofluid cooled soft dome tweeter. Power handling is 100 watts, sensitivity is 87db 1W/1m, and frequency response is 60Hz to 20kHz. Impedance is 6Ω, so suitable for connection to all amplifiers. They can be operated with front grilles on or off. Each speaker measures 286mm x 172mm

We can supply high quality turntable lids made to any size for $129. Due to a communication error this one was made to the wrong size, so if it suits your application you get an even bigger bargain! ONE ONLY AVAILABLE AT THIS PRICE: Colour: Grey Tint External dimensions: 495mm x 375mm x 90mm Internal dimensions: 489mm x 369mm x 87mm Cut out which can function as hand hold or cable access on one of the long faces, 90mm x 20mm, see image Based in Brisbane and shipping Australia-wide Recla

$7.95 shipping Australia Wide on this product. In all the decades that cassette recorders and Hi-Fi cassette decks have been available we’ve never seen a user manual that didn’t cover the fact that in such devices the heads and tape path must be regularly cleaned of the oxide build-up that is inevitable from use. Unfortunately the vast majority of owners seem to ignore those instructions entirely, and just keep playing tape after tape, with the high frequency response eventually degrading to t

Fully bench serviced and offered for sale with warranty this Australian made Audio Telex (now Australian Monitor) AT-60 Mixer amplifier delivers 60 watts into either a normal low impedance load (8Ω) or will drive a distributed 70V / 100V line multi-speaker installation. The 100V output can also be switched in any combination (including all) to 6 separate zones. This particular example is also fitted with a TX-3010 muting module module, which mutes inputs 3 and 4 whenever a signal is present on

A preamplifier allows you to connect a turntable with magnetic cartridge to an amplifier or other device that does not have a turntable (phono) input. This one connects into any auxiliary input (still allowing you to loop your auxiliary device through if required. Precise RIAA balance and 80dB S/N ratio. Switch auxiliary input, eliminating the need to connect and disconnect the source signal as well as the sharing connection of the product. Metal box 145x95x32mm. Includes 12V Powerpack.

Brand new, custom made to size, AND we'll ship Australia wide for just $19.95! We can now offer beautiful quality 3mm acrylic covers, custom made to size for turntables, amplifiers etc., and available in a choice of tints. Best of all, we’re introducing them at just $129. Give your gear the protection it deserves! (Of course you can order them to protect other gear too…) Nothing detracts from the looks of a turntable or record player more than a scratched, smashed, crack or missing dust cover

A capable and good looking unit from the Sherwood stable that delivers 20 watts per channel into 8Ω and 25 watts per channel into 4Ω with two independently selectable speaker zones. The inbuilt AM FM stereo tuner works well, and is unusual in that it employs digital type push button tuning that translates to an analogue display featuring a moving pinpoint LED as a pointer. In addition to manual tuning it will store 5 AM station positions and 5 FM station positions. Volume, bass, treble and ba

These carbon fibre record cleaning brushes both clean the record and reduce the bulid-up of static charge on the surface. Use in the direction of grooves. Based in Brisbane and shipping Australia-wide Reclaimed Audio and Electronics specialises in vintage electronics. All of our products have been professionally restored, and are covered with a minimum six month warranty. We also stock a complimentary range of new electronic products. We ship Australia Wide, and keep freight costs reasonable.

An excellent performer from Pioneer’s 1989 range the F225 is a slimline tuner that offers sensitive reception with high quality audio, a user-friendly front panel layout, and a 24 station preset memory. AM Antenna, FM Antenna, Audio Lead, Manual copy will be provided. See images for specifications. Based in Brisbane and shipping Australia-wide Reclaimed Audio and Electronics specialises in vintage electronics. All of our products have been professionally restored, and are covered with a mini

Shipping on this product $7.95 Australia wide regardless of quantity. There’s nothing quite like the look of an old school receiver / amplifier / tuner etc. with a lighted up dial. To achieve the result many manufacturers ( Marantz, Pioneer, Harman Kardon, Rambler, Pioneer, Sansui, Yamaha, Sony, Philips, AWA, Rotel and so many others) used a user replaceable lamp (no soldering required) commonly referred to as a “fuse lamp” because of its resemblance to a 3AG glass fuse. Unfortunately, all of

More than one available at time of listing. First appearing in Radio Shack / Tandy Catalogues back in 1981, and staying in their model line up right through until 1995 (not a bad run!) it may be a bit of a stretch to call the 32-1100 a “disco” mixer as they did, but it IS in fact a really handy mixer to have around. It could be used for PA use, home recording, or even to add/expand “phono” inputs on a Hi-Fi system. Cleverly the unit will run from just 6V thanks to a more sophisticated than e

With prices starting at just $14.95 for diamond (or even less for sapphire models) Reclaimed Audio can almost certainly supply a replacement stylus (some call them needles) for your • Turntable • Record Player • Record Changer and can also assist with cartridges (the part a stylus clips into), other parts, and accessories. All quality brands like Goldring, Soundring, Stanfield, Ortofon, Audio Technica and more at value-for-money pricing and low Australia wide shipping rates. ($14.95 is the pri

Note. 230Vac model designed to fit Australian / NZ power outlets. Brand new, 12 months guarantee. Suitable for Thorens models and Pro-Ject models that were originally supplied with a 16V AC power supply. (Note, some Pro-Ject models need a 15Vdc supply, some need a 16Vac supply, and the Juke Box model with inbuilt amplifier needs a 24Vdc supply - all of which we can also help with. Please check the back of your turntable to ensure you are purchasing the correct one.) Based in Brisbane and shi

DI Amplifiers were designed and manufactured in NZ, and distributed throughout Australia by Audio Telex (now part of Hills). They gained a great reputation throughout the 70s and 80s as “bulletproof” units that just kept on going. Time travelling from the late 80s this fully serviced DI20 is ready to provide years more service. A simple but great sounding little amp that was designed for background music and paging applications. It has one music input, one microphone input, and a tone control!

A beautifully engineered product from JVC Japan in 1975 that both looks and sounds much bigger than the 2x18W into 4Ω specification would suggest. A very satisfying amplifier indeed. The VN300 can drive two speaker zones (independently or combined), and has inputs for a turntable, a microphone, and four line level (aux) inputs including the tape monitor loop. Tone control is provided via indented high quality sliders (the balance control is a slider too), and loudness compensation is fitted.

These speakers are currently 4Ω each, so please ensure your amplifier is capable of driving down to 4Ω. Upon request we could reconfigure each speaker to 16Ω - just ask. Dating from 1992 these rugged little speakers from Realistic could be used for PA communication, or would be perfect for use “on the deck (they’re not weatherproof though!), or as little party speakers. The design is a vinyl covered timber enclosure emulating larger commercial speakers with metal bump corners and a carry stra

In the late 70s and through the 80s the professional nightclub market was RULED by the renowned Technics SL-1200MkII turntable, with any club of worth running two or three decks through a Citronic or similar mixer. Professional DeeJays mixed on “wheels of steel” for hours (not short brackets as seems to happen these days), and carrying music on USB sticks was still years off - the music came from milk crate after milk crate of vinyl pressings. But, as the fabulous big-haired 80s wore on change