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Lovetone Cheese Source (fuzz overdrive) - UK made (2007) -- LAST ONE
$2,750
Lovetone "Cheese Source" (fuzz & overdrive in one unit)
made in United Kingdom
'New Old Stock' -- LAST 'NOS' one I have to sell
plugged in & tested once - includes all packaging & paperwork (unit, box, insert, manual & original box it was shipped in) ... its is exactly how it came from Lovetone. (This one has a small imperfection (doesn't affect sound) on the inside on the black paint (a paint reaction maybe ?). Still a NOS unit - see photos
this is the last 'NOS' one I have to sell
price & trades towards bottom of ad .....
check this video out as well: (guitarists)
https://www.youtube.com/watch?v=Kt-hpnDvSlA
check this video out as well: (bass players)
https://www.youtube.com/watch?v=yp7vXQkjW4Y
description below:
CHEESE The Cheese is a loving homage to the buzzy, gorgeous and harmonically rich early fuzz. However, while having many of the classic characteristics that every fuzz fan will relate to it goes beyond to create an absolutely distinct character of its own. Its innovative controls can take it from almost "gated" break-up to overkill of shred proportions. Far from being just a guitar effect the Cheese is eminently useful for seeing to any sound with the temerity to be naff (with particularly amusing consequences in the lower regions). To lovers of "furrrzze bass" it offers thunderous, buttock-clenching mayhem. The Cheese works exceptionally well in the fx loop of the Meatball and can transform virtually any instrument into a super-squelchy synth with no tracking worries (especially with an octaver immediately before it for the classic double octave effect). SOURCE The Source is an instant flash-back to that dynamic, singing late 60's / early 70's brown sound that is associated with countless classic records spanning the whole musical spectrum. It offers unparalleled purity and touch sensitivity and an uncannily warm "valvey" grunt with the absence of the unnatural fizz associated with most overdrive pedals. It imparts a tangible sense of electricity (so prized by samplists in vintage recordings and so elusive with computer-based technology and will make any new guitar or bass sound 40 years older! Three classic ways to use the Source with a guitar are for snap crackle and "pop" into a clean amp, dripping fat into a cooking amp and controlled feedback with singing harmonics into a driven amp. On bass, its soft rounded distortion and inherent compression makes it reminiscent of the toneful and plummy psych era bass sounds. In the studio it can perform amazing transformations and blended with the straight signal can be used to add a touch of dirt and girth to those unfashionable clean cut sounds! see pictures attached for condition .... lots more upon request
SELL - $2750
TRADES:
I'm open to trades (but I'll leave it within Brisbane)
Happy for -/ cash in the trade deal
things I'd be interested in would be:
PEDALS: Sola Sound, D*A*M, Pigdog, or similar high end, but also other vintage fuzz pedals or interesting stuff .. shoot me a list
AMPS: Marshall 800s (combo/heads), Marshall 900SLX (combo/heads), Marshall 30th Anniversary (combo/heads), Marshall 2061x, Marshall 1958x, Marshall 1973x, Marshall 1974x, Selmer Zodiac, Savage (US made),
GUITARS: Epiphone Crestwoods (pre 69), Epiphone Coronet (pre 69), Gibson Firebirds, Gibson Les Paul Classic (early 90s all gold), Gibson Les Paul Deluxe (early 90s Hall of Fame Edition, Mosrite Ventures
if I think of anything else I'll just update the above. thank you for looking & any questions just shoot me a message
** Please check out my other ads **
*********************************************************************************************
a note for: scammers, phishing, or any other suspicious messages or emails etc - please don't waste your time or mine. You will be reported straight away. *********************************************************************************************
made in United Kingdom
'New Old Stock' -- LAST 'NOS' one I have to sell
plugged in & tested once - includes all packaging & paperwork (unit, box, insert, manual & original box it was shipped in) ... its is exactly how it came from Lovetone. (This one has a small imperfection (doesn't affect sound) on the inside on the black paint (a paint reaction maybe ?). Still a NOS unit - see photos
this is the last 'NOS' one I have to sell
price & trades towards bottom of ad .....
check this video out as well: (guitarists)
https://www.youtube.com/watch?v=Kt-hpnDvSlA
check this video out as well: (bass players)
https://www.youtube.com/watch?v=yp7vXQkjW4Y
description below:
CHEESE The Cheese is a loving homage to the buzzy, gorgeous and harmonically rich early fuzz. However, while having many of the classic characteristics that every fuzz fan will relate to it goes beyond to create an absolutely distinct character of its own. Its innovative controls can take it from almost "gated" break-up to overkill of shred proportions. Far from being just a guitar effect the Cheese is eminently useful for seeing to any sound with the temerity to be naff (with particularly amusing consequences in the lower regions). To lovers of "furrrzze bass" it offers thunderous, buttock-clenching mayhem. The Cheese works exceptionally well in the fx loop of the Meatball and can transform virtually any instrument into a super-squelchy synth with no tracking worries (especially with an octaver immediately before it for the classic double octave effect). SOURCE The Source is an instant flash-back to that dynamic, singing late 60's / early 70's brown sound that is associated with countless classic records spanning the whole musical spectrum. It offers unparalleled purity and touch sensitivity and an uncannily warm "valvey" grunt with the absence of the unnatural fizz associated with most overdrive pedals. It imparts a tangible sense of electricity (so prized by samplists in vintage recordings and so elusive with computer-based technology and will make any new guitar or bass sound 40 years older! Three classic ways to use the Source with a guitar are for snap crackle and "pop" into a clean amp, dripping fat into a cooking amp and controlled feedback with singing harmonics into a driven amp. On bass, its soft rounded distortion and inherent compression makes it reminiscent of the toneful and plummy psych era bass sounds. In the studio it can perform amazing transformations and blended with the straight signal can be used to add a touch of dirt and girth to those unfashionable clean cut sounds! see pictures attached for condition .... lots more upon request
SELL - $2750
TRADES:
I'm open to trades (but I'll leave it within Brisbane)
Happy for -/ cash in the trade deal
things I'd be interested in would be:
PEDALS: Sola Sound, D*A*M, Pigdog, or similar high end, but also other vintage fuzz pedals or interesting stuff .. shoot me a list
AMPS: Marshall 800s (combo/heads), Marshall 900SLX (combo/heads), Marshall 30th Anniversary (combo/heads), Marshall 2061x, Marshall 1958x, Marshall 1973x, Marshall 1974x, Selmer Zodiac, Savage (US made),
GUITARS: Epiphone Crestwoods (pre 69), Epiphone Coronet (pre 69), Gibson Firebirds, Gibson Les Paul Classic (early 90s all gold), Gibson Les Paul Deluxe (early 90s Hall of Fame Edition, Mosrite Ventures
if I think of anything else I'll just update the above. thank you for looking & any questions just shoot me a message
** Please check out my other ads **
*********************************************************************************************
a note for: scammers, phishing, or any other suspicious messages or emails etc - please don't waste your time or mine. You will be reported straight away. *********************************************************************************************
- Date Listed:07/04/2022
- Last Edited:07/04/2022
- Condition:New
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