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8 Input ch Summing Mixer LittleOne DB25/TRS NEW!
$269
VintageMaker is one of the last manufacturers, professional handmade studio gear builders in the world. This possibility is almost unique in the market since 2010′. More than 1000 different and unique custom studio solutions.
CONTACT ME FOR UNIQUE SETUP !
You can order different sum bus gain reduction mixer
Let me know about your DAW interface gain range or brand type
Select Mixer Reduction: -6,5dB / -10dB / -15dB / -20dB / -25dB (free order)
Specs
Input: 8 balanced INPUT(4stereo) by DB25/DSUB Tascam Standard Analog
Output: 2x(1,4" TRS) Balanced L/R - 1xStereo out balanced
Fully balanced dual stereo signal topology!
Pure hand made! Hand wired and tested point-to-point!
Selected VISHAY DALE military metal-film resistors!
Laser engraved massive aluminium alloy box!
More than 2000 happy customers since 2010'
Why choose a LittleOne mixer?
Requires only 15 dB of make-up gain!
Fully balanced solid state network & switching network from input to output.
Can be left "free" unconnected inputs 2-4-6! No unused input problem!
Absolutely noise free due to a custom-developed balanced summing network.
Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and sends as many as 2-4-6-8 different tracks or submixes to Summing Mixer.
Can handle both balanced/unbalanced signals from synths like Moog, Nord, Yamaha etc.
Can handle large external instruments like samplers, tape machines, drum machines etc.
Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on..Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc.
Can handle large numbers of external mic preamps like AMS Neve 1073,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on...
Extremely simple, Discrete, pure, and transparent signal path.
Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal!
Other passive summing mixers on the marketplace requires 30/ 40dB makeup gain!
More than 2000 happy customers around the World!
LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)!
How to mix in analog OTB [OUT-The-Box]
Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? Simply boost up your DAW output Level (master fader) – and you get some “nice” distortion because you’re pushing the SUMMING INPUTS (SUM BUS) Passive side of Summing Mixer – quite a bit OVER its nominal level. (after that gain up the summed signal by your internal amp or external mic preamps or DAW mic preamps)A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts:
1. First part: Passive network.You right: "should I achieve this by entering the summing unit with hotter levels"You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) PanoramaFirstly you need to find for all your instruments the right places into the stereo field (separation), the right locations where they sit better into the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages!
CONTACT ME FOR UNIQUE SETUP !
You can order different sum bus gain reduction mixer
Let me know about your DAW interface gain range or brand type
Select Mixer Reduction: -6,5dB / -10dB / -15dB / -20dB / -25dB (free order)
Specs
Input: 8 balanced INPUT(4stereo) by DB25/DSUB Tascam Standard Analog
Output: 2x(1,4" TRS) Balanced L/R - 1xStereo out balanced
Fully balanced dual stereo signal topology!
Pure hand made! Hand wired and tested point-to-point!
Selected VISHAY DALE military metal-film resistors!
Laser engraved massive aluminium alloy box!
More than 2000 happy customers since 2010'
Why choose a LittleOne mixer?
Requires only 15 dB of make-up gain!
Fully balanced solid state network & switching network from input to output.
Can be left "free" unconnected inputs 2-4-6! No unused input problem!
Absolutely noise free due to a custom-developed balanced summing network.
Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and sends as many as 2-4-6-8 different tracks or submixes to Summing Mixer.
Can handle both balanced/unbalanced signals from synths like Moog, Nord, Yamaha etc.
Can handle large external instruments like samplers, tape machines, drum machines etc.
Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on..Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc.
Can handle large numbers of external mic preamps like AMS Neve 1073,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on...
Extremely simple, Discrete, pure, and transparent signal path.
Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal!
Other passive summing mixers on the marketplace requires 30/ 40dB makeup gain!
More than 2000 happy customers around the World!
LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)!
How to mix in analog OTB [OUT-The-Box]
Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? Simply boost up your DAW output Level (master fader) – and you get some “nice” distortion because you’re pushing the SUMMING INPUTS (SUM BUS) Passive side of Summing Mixer – quite a bit OVER its nominal level. (after that gain up the summed signal by your internal amp or external mic preamps or DAW mic preamps)A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts:
1. First part: Passive network.You right: "should I achieve this by entering the summing unit with hotter levels"You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) PanoramaFirstly you need to find for all your instruments the right places into the stereo field (separation), the right locations where they sit better into the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages!
- Date Listed:03/05/2023
- Last Edited:20/10/2023
- Condition:New
- Shipping:Pickup Only
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