11 Results: New & Used in graphics card in Queensland

SUBSIDISED INSURED SHIPPING ON THIS COMPLETE SYSTEM $120 AUSTRALIA WIDE, $10 BRISBANE / IPSWICH areas in SEQ. Dating from 1982 these fully restored (with warranty) Hi-Fi components from Japan’s Akai even come with their original owner’s manuals and of course look like the matched system that they are. One owner, one location for the last 4 decades! One of Akai’s premium offerings at the time based around higher quality components than were sometimes found in package deals. There’s a direct dr

This silver faced graphic equaliser from Technics offers five bands of tonal adjustment, and the cut/boost curves can be set to either 3db (a subtle difference) or 12db (a significant adjustment). A graphic equaliser has many uses, tailoring your systems sound to suite room acoustics, or recordings to your own taste. Of course they are also useful for “cleaning up” old or noisy recordings. This one has both main and record loops. The backlit centre frequency scale changes to show whether 3db o

TEAC’s 1985 GE-8 is a 6 band stereo graphic equaliser, useful for precise tailoring of a system’s frequency response, or the frequency curve of a signal being sent to a recording device. The frequency bands are centred around 40Hz, 125Hz, 400Hz, 1.25kHz, 2kHz, 4kHz, 12.5kHz, and each is adjusted by high quality (with indents) slide controls with a little over 30mm travel. Each band can be adjusted by /- 10db. The unit has its own “tape loop” circuit inbuilt, so if your amplifier does not have

In the mid to late 80s many manufacturers followed the trend of offering big grunty receivers that also came fitted with lots of bling and features. This is Sherwood’s take on it. The S2750 punches out 60 watts per channel, and can drive two speaker zones. Zone B can be fed with the normal stereo signal, or can be switched to simulated quadraphonic surround mode. In all modes, and on all inputs LED power output meters (calibrated to 70 watts) display. The unit is also fitted with a 5 band gra

TEAC’s 1985 GE-8 is a 6 band stereo graphic equaliser, useful for precise tailoring of a system’s frequency response, or the frequency curve of a signal being sent to a recording device. The frequency bands are centred around 40Hz, 125Hz, 400Hz, 1.25kHz, 2kHz, 4kHz, 12.5kHz, and each is adjusted by high quality (with indents) slide controls with a little over 30mm travel. Each band can be adjusted by /- 10db. The unit has its own “tape loop” circuit inbuilt, so if your amplifier does not have

In the mid to late 80s many manufacturers followed the trend of offering big grunty receivers that also came fitted with lots of bling and features. This is Sherwood’s take on it. The S2750 punches out 60 watts per channel, and can drive two speaker zones. Zone B can be fed with the normal stereo signal, or can be switched to simulated quadraphonic surround mode. In all modes, and on all inputs LED power output meters (calibrated to 70 watts) display. The unit is also fitted with a 5 band gra

TEAC’s 1985 GE-8 is a 6 band stereo graphic equaliser, useful for precise tailoring of a system’s frequency response, or the frequency curve of a signal being sent to a recording device. The frequency bands are centred around 40Hz, 125Hz, 400Hz, 1.25kHz, 2kHz, 4kHz, 12.5kHz, and each is adjusted by high quality (with indents) slide controls with a little over 30mm travel. Each band can be adjusted by /- 10db. The unit has its own “tape loop” circuit inbuilt, so if your amplifier does not have

Punching out 80 watts per channel from a design using all discrete output devices, an inbuilt 7 band graphic equaliser (separately assignable to the record output and the listening channel), an LED output meter calibrated to 100 watts per channel, two speaker zones, and even a feature that allows you to record the turntable to another device whilst listening to another source… Kenwood’s 1986 KA-75 is an amplifier that gets the job done. It has two separately selectable speaker zones, and 4 lin

Punching out 80 watts per channel from a design using all discrete output devices, an inbuilt 7 band graphic equaliser (separately assignable to the record output and the listening channel), an LED output meter calibrated to 100 watts per channel, two speaker zones, and even a feature that allows you to record the turntable to another device whilst listening to another source… Kenwood’s 1986 KA-75 is an amplifier that gets the job done. It has two separately selectable speaker zones, and 4 lin

In the mid to late 80s many manufacturers followed the trend of offering big grunty receivers that also came fitted with lots of bling and features. This is Sherwood’s take on it. The S2750 punches out 60 watts per channel, and can drive two speaker zones. Zone B can be fed with the normal stereo signal, or can be switched to simulated quadraphonic surround mode. In all modes, and on all inputs LED power output meters (calibrated to 70 watts) display. The unit is also fitted with a 5 band gra

In the mid to late 80s many manufacturers followed the trend of offering big grunty receivers that also came fitted with lots of bling and features. This is Sherwood’s take on it. The S2750 punches out 60 watts per channel, and can drive two speaker zones. Zone B can be fed with the normal stereo signal, or can be switched to simulated quadraphonic surround mode. In all modes, and on all inputs LED power output meters (calibrated to 70 watts) display. The unit is also fitted with a 5 band gra